Rodney Gilfry

ew up in West Covina and Claremont. He received a bachelor's degree in music education from Cal State Fullerton and a master's degree in voice from the Thornton School of Music at the University of Southern California. He studied at the Music Academy of the West with Martial Singher with whom he also studied privately for six years. In 1999 he sought further refinement of his technique and studied in Manhattan with Armen Boyajian, teacher of Samuel Ramey and Gerald Finley.

Gilfry made his opera debut as a comprimario in Otello at Los Angeles Opera in 1986. After seven years as a principal baritone at Frankfurt Opera and Zurich Opera, he returned to the U.S. and originated roles at major houses such as the Metropolitan Opera, Lyric Opera of Chicago, Dallas Opera, San Diego Opera, and Los Angeles Opera.

On November 25, 1996, Gilfry made his debut with the Metropolitan Opera as Demetrius in the company's premiere of Britten's A Midsummer Night's Dream, a role he sang eight times that season. He returned in the 2000-2001 season for six performances each as Marcello in Puccini's La bohème and as Guglielmo in Mozart's Così fan tutte.

Gilfry went on to specialize in new music, introducing rôles in many new operas. He is probably best known for his portrayal of Stanley Kowalski in André Previn's A Streetcar Named Desire at San Francisco Opera which premiered in 1998. He also created the role of Nathan in Sophie's Choice at Royal Opera House Covent Garden in 2002, a role he will reprise at Washington National Opera in September 2006. He originated the role of Tsar Nicholas in Drattell's Nicholas and Alexandra at Los Angeles Opera in 2003. During the 2005–2006 season he played plantation owner Edward Gaines in the opera, Margaret Garner, at Opera Philadelphia, Cincinnati Opera, and Michigan Opera Theatre. During August 2006 he portrayed Prospero in Thomas Ades' The Tempest with the Santa Fe Opera, one of the few rôles in new opera that he did not originate. In November 2006 he created the role of Jack London in Libby Larsen's Every Man Jack for Sonoma City Opera. In 2008 he sang the principal role of Falke in a Japanese tour of Die Fledermaus and the title role in the Dutch/British production of Olivier Messiaen's opera Saint François d'Assise. At the Zürich Opera he performed the part of the composer in the "domestic comedy" Intermezzo of Richard Strauss, conducted by Peter Schneider and staged by Jens-Daniel Herzog, with Christiane Kohl as Christine. In February 2020 he created the role of Eurydice's father in the world premiere of Eurydice, written by Matthew Aucoin with a libretto by Sarah Ruhl, at the Los Angeles Opera. ...

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